Eine perfekte Gelegenheit für alle Anfänger:innen, die in die Welt des DJings eintauchen und die Grundlagen erlernen möchten –  von der Auswahl der Musik bis hin zum Mixen von Tracks und der Gestaltung von Sets.

Cost: 10 €
Registration: admin@hdkv.de
Bring along: Music on a USB stick

Jonah Mende is active in Heidelberg’s subculture. He is an organiser and DJ. Musically, he moves between rhythmic percussion sets (Amende) and uplifting disco music (Dengaboys).

A cooperation with the Institute for European Art History at Heidelberg University

In the mood for some art during your lunch break?
Klavdia Vashchillo will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

The lecture investigates the relationship between loneliness and misogyny amongst the online movement of ›involuntary celibates‹ (incels) that has become widely known through several violent attacks.

Sanna Tirkkonen (PhD) is a researcher in philosophy at the University of Helsinki and a visiting researcher at Heidelberg University Hospital. In her work, she is interested in current phenomena in the contemporary society, issues of power, philosophy of emotion and experiences of not belonging. Tirkkonen also writes about visual arts and contemporary dance. In Finland, her texts have been awarded major literary prizes.

In the mood for some art during your lunch break?
Lise Boulay will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

INTER_ACTIONS is an innovative dance company based in Heidelberg that explores the experience of contemporary dance through various projects bridging the relationship between audience and performance. Heidelberger Kunstverein is hosting the format Sharing More Works that brings people together: Dance artists with creatives from other disciplines, people who make art and their audience. This time: Choreographer Julie Pécard and the artist Neda Kovinic. They will react to each other artistically, there will be a discussion and screeing. At the end Julie Pécard will give a workshop for the audience.

Julie Pécard is a dancer, choreographer and young mother. She completed her dance training in Vancouver at Arts Umbrella under the direction of Artemis Gordon. In the young ensemble Arts Umbrella Dance Company, she worked with choreographers such as Emily Molnar, Gioconda Barbuto and Crystal Pite. After graduating, she first worked for ProArteDanza in Toronto, then at the Kevin O’Day Ballet at the National Theater Mannheim and in various free projects. Since her time at the National Theater she has been creating her own works in the independent scene. In artistic cooperation with other choreographers pieces like UN/feminine, FALL(IN)<-G and Triggers were created. Under her own direction, she premiered Proximal Distance winter 2021. Since the birth of her son Émile, her work has been shaped by the role of mothers in society. In working with dancers, personal imprinting is a guiding theme. Together with Jonas Frey she runs the Junior Dance Company at EinTanzHaus. As the board member of Flux e.V., she gives important impulses to the dance landscape in the Rhine-Neckar region.

Neda Kovinic born and based in Belgrade (Serbia) is currently a fellow at the Akademie Schloss Solitude in Stuttgart. Neda is working in intersection of theory, writing, choreography, videos and space. She reevaluate the possibility of mutuality, empathy, care, closeness, fair and non-competitive relationships among the artists she works with, as well as all other participants in the structure of production and presentation of artistic work. She is trying to act in the medium of the “art of loving” which is characterized by a slow tempo, multiple perspectives and which can embrace diversity, irrationality, wackiness and wit. Neda Kovinic’s works have been featured in: Tarnby Performance Festival in Copenhagen, Denmark (2023), Manifesta 14 Prishtina/Kosovo (2022); Memorial of Nadezda Petrovic, Cacak/Serbia
(2022); Artist’s Film International 2021 at Whitechapel Gallery, London/UK; Hammer Museum, Los Angeles/USA; Crawford Art Gallery, Cork/Ireland; Neuer Berliner Kunstverein, Berlin/Germany (2021).

Liane Wilhelmus is an academic advisor at the Lehrstuhl für Neuere und Neueste Kunstgeschichte (Chair of Modern and Contemporary Art History).

In the mood for some art during your lunch break?
Klavdia Vashchillo will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

In the mood for some art during your lunch break?
Lea Daro will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

Based on her essay (›Die Ausstellung als Atemraum. Ecological Concepts of Curating by Harald Szeemann‹, in: Linn Burchert / Iva Resetar (eds.), Atem. Gestalterische, ökologische und soziale Dimensionen – Breath. Morphological, Ecological and Social Dimensions, Berlin 2021, pp. 333-348), the lecture deals with Harald Szeemann and the ecological category of breath, which has become a basis for his curatorial activities since the late 1970s. From Szeemann as one of the most influential curators of the 2nd half of the 20th century, the lecture draws an arc to current exhibitions and the new interest in ecological themes.

Elke Anna Werner is professor of art history at the Johannes Gutenberg University, Mainz.

In cooperation with Käte Hamburger Center for Apocalyptic and Postapocalyptic Studies & Heidelberg Center for the Environment at the University of Heidelberg

Heinz Bude (*1954) studied sociology, philosophy and psychology at the University of Tübingen and the Free University of Berlin. In 1986 he completed his doctorate with a dissertation on the history of the impact of the flak helper generation and habilitated in 1994 with a paper on the history of the origins of the ’68 generation. He has been at the Hamburg Institute for Social Research since 1992 and head of the department ›The Society of the Federal Republic‹ since 1997. He has held professorships at the Free University of Berlin and at the Viadrina in Frankfurt/Oder and in 1996 was a visiting scholar at the Center for European Studies at Cornell University. Since 2000 he has held the Chair of Macrosociology at the University of Kassel.

In the mood for some art during your lunch break?
Lea Daro will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

Reading fairy tales – Painting – Role play

From 6 years. Registration at: praktikum@hdkv.de.

In the mood for some art during your lunch break?
Jeanne Spriet will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

Prof. Dr. Wolfgang Müller-Commichau will guide through the current exhibition by Agnes Scherer ›Savoir Vivre‹

Language: German.

mit anschließendem Gespräch mit der Regisseurin

In the mood for some art during your lunch break?
Lea Daro will guide you through the exhibition in 15 minutes. She is a student at the Institute for European Art History and part of the project ›The Social Network. Die Gästebücher des Kunstsammlers Franz Moufang‹.

Liane Wilhelmus is an academic advisor at the Lehrstuhl für Neuere und Neueste Kunstgeschichte (Chair of Modern and Contemporary Art History).

The Middle Ages are often portrayed as an epoch in which social relations were firmly established, clear norms of behavior prevailed, and individual freedom counted for little. In medieval studies, this cliché has been successfully deconstructed for some time. From today’s perspective, it is astonishing how flexible and dynamic the social order of the Middle Ages was. But what about gender roles and identities in the European Middle Ages? Were patriarchal norms without alternative or competition? Or were there ambiguities and counter-models? The discussion will focus on the question of which gender concepts were negotiated in medieval art and literature.

PD Dr. Tobias Frese is an art historian and academic advisor at the Institute of European Art History at the University of Heidelberg. His research focuses on medieval art, especially in sacred contexts. His most recent work is on ambiguity in Christian iconography (“Images of Christophany, Brill Fink 2022).

Prof. Dr. Ludger Lieb is a Germanist and Professor of Early German Philology at the University of
University of Heidelberg. One of his main research interests is the courtly epic poetry of the
epic poetry of the High Middle Ages, with special emphasis on Hartmann von Aue and Gottfried von Strassburg. He has worked extensively on the various forms of love poetry.